Copper Lion Revisited | Paper 24

("You are the best human I know. Thanks for making me want to be the best human I can be.")

Certainly that must be worth much.
Acrylic and mixed media on wood, 9"x5 1/2".

Shameful to think that if my wallet had gone missing, so may have this little piece of paper. So I made it part of this piece. Shameful to know that it's doubtful I can use it as my resume.

Mosaics for the American Visionary Art Museum

Cutting glass, mirrors, fingers, etc. 

I've been working for the Visionary Museum in Baltimore, and artist Mari Gardner for several months building the rest of the mirror and mosaic panels that cover the outside of the AVAM building. 

Progress charts and layout diagrams. Install to begin August (or September) 2014. This faces Covington Street, Key Highway, and Federal Hill Park.

Grouted, polished and completed panels. There are just under 200, 30"x60" Durock cement panels, made beautiful.

Laid out for grouting and stacked for slow-drying.

Process plans.

We also get to work with some of the boys in the Schaefer House of Baltimore (Juvenile Services) ages 14 to 17. We teach them the mosaicing processes, they get to make their own pieces, and they add to our final panels with circles and 3-D pop-out spheres. They do amazing and wild work, see below!

Extra addition: old school overhead projector lenses, sprayed and coated with super-glam car paint.

Why Not..

24"x30" acrylic on OSB

From here to there. Highway inspiration. Of course there are dozens of explanations, but it may have been stolen (the irony) because it's not there now.

Custom Guitar Straps

Hook, Rack, & Holder

I installed my sister's easy gift: the sanded branch with a painted popular aesthetic. Now she can hang her skivvies and earbuds from it. I went with the less dramatic hardware, due to the shells and turquoise hunks wired through the centers, with a few feathers on the end. 

Next was a solution for bracelets. I like a lot of the DIY "movement's" solutions for all things that get tangled and are tiny, and are almost always in a woman's room. This one is pretty obvious. Glued wood (Forrest abandoned our mailbox sign), with knobs on sale from Anthropologie. They can be knobs from the dumpster, it doesn't matter. Let them hang out far if you have a lot of thick bracelets. My cousin Deanna made me the dreamcatcher in 1994, a great artifact. 

Another part of this non-tutorial: The Necklace Frame. There are so many gorgeous frames circulating in the world, but even an ordinarily plain one you can paint or metal leaf. Attach chicken wire or a mesh metal, like window screen. If you don't have chicken wire because it's expensive to buy a bolt when you need only a foot, you can attempt making it (see below).

Side note: I found it much easier to lean than to hang, so I attached a small foam pad to the back upper side.

 And here's an extra Indian print bag in green! I've noticed for some reason this is a popular previous post...

Tables: Part 1

I refinished my great aunt's telephone table a few seasons ago, and though it is still serving the purpose of yellow in my life, it was long before the time I've spent in a woodshop. My currently convenient  knowledge of dry times paired with clear coat sanding might have prevented the chipping. Still thinking about coating the pulls with tiny broken abalone shells. Look at my shark!

From old scrap particle board (from an old crappy job) came my new favorite table. I've always been partial to the corner table with rounded front. It may not have been the best move to make an outdoor table with less than real wood (I do know better), but I just wanted to put it to decent use, and employed a generous amount of sealant; at least the legs are real. Needing to fill the space on my porch, I forfeited the learning process of continual legs (through tiers) for time. One summer later it looks naturally distressed, reminds me of the Greek flag, and holds my rubber tree plant perfectly.

This small fold-up is my most recent assignment. A very thrifty find from my new favorite antique shop in Annapolis. Several coats of a light and dark blue mixture, while sanding in between the stages for a galactic, layered result. Now I have to decide if a mosaic of foreign coins will still look good lacquered onto the top, (a few beautiful ones from a friend's African journey pictured).

Pete, following his greatest love The Flower.

And by the way.. notice these strange and lovely little cicada soaps, a gift from my aunt! 

Glass Palette

A glass-front dresser in the woods behind my house = a new glass palette! At 16"x28",  I'm oil-ready once again.

Multiband

So this is really great. AND in real life, it is also very, very pretty.

But First

Let's take a look at this brown painting.

But first: Just recently I went to Baltimore's annual ArtScape, always a great big giant delight. The colorful photo second below is from this year, a mirror booth.
The brown painting is from ArtScape 2010. I really am waiting to gesso over it- but first- a closer look.

It says "I AM ART for a hooker buy me."

I took this and some others from a trash pile of about 35, after the public project it was a part of had been dismantled. Passersby were encouraged to pick up the tempera paint and use it freely on blank hanging canvases. Obviously there was quite an array of imagery: kid junk, rainbows, area codes, etc. I guess I've been thinking about this specific brown one too hard. Last year at this time I could have written an essay. In the end here is my final sentiment: "Well.. that's valid."

People will buy anything. People are happy to freely buy anything. Congrats if you can hook them into it.

So if anyone ever sees this, feel free to let it fuel a conversation about art purchases, hookers, art and equality, whatever.

"I AM ART for a hooker buy me" - 2010

"We are 'Weird' " -2011
(Spelled as 'we are wierd')