Copper Lion Revisited | Paper 24

("You are the best human I know. Thanks for making me want to be the best human I can be.")

Certainly that must be worth much.
Acrylic and mixed media on wood, 9"x5 1/2".

Shameful to think that if my wallet had gone missing, so may have this little piece of paper. So I made it part of this piece. Shameful to know that it's doubtful I can use it as my resume.

Visionary Museum Part 4, The Roof

Hello Baltimore! We are now on the roof. The fourth and final phase of the mosaic project and the 20 year anniversary of the American Visionary Art Museum entails the crowning and covering of the small rooftop surface (upper skylight shaft) visible from across the Inner Harbor, and most visible from Federal Hill Park.

Like always, this is a proper mix of manual labor construction, and fine art. In November we spaced and hung the steel struts and installed 90 cement board panels, then de-installed to take back to our studio for design and mosaicing. Late spring/early summer look for us up in the lift piecing together the final glitz and glam. PS even when icy cold, the view is worth it.

Copper Lion

Acrylic, metallics, ink, plastics on wood. 9" x 5 1/2"

Personified: to live as though we expect the lion to live, unaffected by much, could be a great gift. 

The Fin

After finishing the mosaic wall at AVAM, we flipped to the North side of the building to complete a 20ft. fin-like pennant facing Key Highway.

Sunset meeting night sky, in conjunction with south side of the building (Day, 2006) and west side of the building (Aurora Borealis 2014).

Night (2013)

30 feet up; transferring glass from strips of industrial contact paper, after building the entirety of this in our studio. 

Glass process

Painting Repair

Two 36"x42", oil on wood panel portraits recently sold (very happy to say goodbye)! I couldn't send them off without fixing the warped curvature that made them unable to hang or lay flat. In the past, I attached an extra wire to two screws in the offending corners and twisted tight, which eventually was useless. New simple steps: corner brackets, and a 50" screen door turnbuckle. 

Corner brackets in place. This one needed a third hole drilled into center to accamodate the length of the turnbuckle. S hook used to connect.

This worked well for a 42" painting; different sizes are available, or you may have to cut the flat end of the rod with metal clippers where it makes sense. The size/length of the S hook (or other clip) will also make a difference. I think these are 25mm. Tighten in center until the panel is laying flat.

New Pieces

I have a tiny show hanging at The Metropolitan, 169 West St. in Annapolis, until the end of February alongside of Laura Gallagher. All pieces below are new! 

Falling Apart Looks Really Good

20"x24"

Acrylic on canvas

The Real Kind

18"x14"

Acrylic on canvas

All of It

30"x42"

Acrylic on wood

details

 

Swatch tags

Stephanie & Laura

Queen Mother Mary

18"x24" oil on canvas. Portrait of my mom and her cat. I started painting this pink years ago, and realized it was silly not to finish it, especially since I just used it as a birthday gift. 

Detail

Sketchbook Project

The Maryland Federation of Art celebrated their 50th anniversary by putting together a local chapter of the Sketchbook Project (endeavor of Art House Co-op). 100 sketchbooks were on display this summer at The Art Gallery, University of Maryland College Park, before joining the masses in Brooklyn. Mine was there, filled with little fragments and ink.

(Cover [tiny pear with tiny gold leaves, on gloss white])  

("Are you getting enough? [Vitamin A]")

("coffee fox")

(Page 2: "Pear, identical to a new painting of a pear. Except that one looks like this: [arrow]

And then, I agreed to an adventure with an adventurer and a photographer.")

 ("On our way to Centralia, PA in Tucker's green jeep")

They even gave me this odd little sketchbook tattoo!

Robin Lea Pope

Robin Lea Pope 1961-2013, forever adored.

Robin on her wedding day. Acrylic on canvas 18"x24". 

 Detail

 Detail